The Waterslide of Abstract Art presents a comparative exercise between the development of leisure activities in the 20th century and the differing approaches to abstract art.
Compiled over several years, this research has been the backbone of many artworks by Priscila Fernandes, such as Cuckoo Land and Other Futures (2016 – 2018), Labour Series (2008 – 2021), Never Touch the Ground (2020) and Make it Bounce (2022).
A voice and nothing more
How many horses does it take to change the world?
What Horses Dream of
Rusted Armour, Skin of Dreams
Bathers at Midnight
The Waterslide of Abstract Art
Make it Bounce
Idleness' Owl
Escola de Lazer Leisure School
Never touch the ground
Happier than a Seagull with a French Fry
Labour Series
Leisure: The Final Frontier
Gozolândia e Outros Futuros Cuckoo Land and Other Futures
What's love got to do with it
Free. To do whatever we
Luísa's Wedding
In darkness all cats are grey De noite todos os gatos são pardos
A friend in common
Jardim Europa
Those bastards in caps come to have fun and relax by the seaside instead of continuing to work in the factory
The Book of Aesthetic Education of the Modern School
Against the enamel
For a better world
Naar de speeltuin! To the playground!
Product of Play
Calibration Circle
Once upon a time no longer
That which is above that which is
Small Stellated Dodecahedron
In Search of the Self
Drosophila Melanogaster and the Translation of the Genetic Code
Breakfast Manifesto
